{"id":1245,"date":"2015-04-19T18:47:35","date_gmt":"2015-04-19T18:47:35","guid":{"rendered":"http:\/\/jocelynrobert.com\/?page_id=1245"},"modified":"2015-04-19T18:58:08","modified_gmt":"2015-04-19T18:58:08","slug":"pandore","status":"publish","type":"page","link":"http:\/\/jocelynrobert.com\/?page_id=1245","title":{"rendered":"Pandore"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;387&#8243; alignment=&#8221;center&#8221; border_color=&#8221;grey&#8221; img_link_large=&#8221;&#8221; img_link_target=&#8221;_blank&#8221; img_size=&#8221;full&#8221; link=&#8221;http:\/\/www.actuellecd.com\/fr\/cat\/am_903\/&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<em><span class=\"w\">Pandore<\/span><\/em>, la premi\u00e8re publication de l\u2019artiste sur \u00e9tiquette Ambiances Magn\u00e9tiques, rev\u00eat une importance tout \u00e0 fait particuli\u00e8re: ce coffret refl\u00e8te justement la diversit\u00e9 de son univers sonore. Il t\u00e9moigne donc \u00e0 la fois du travail solo de <span class=\"ind\">Jocelyn Robert<\/span> et de l\u2019apport consid\u00e9rable des artistes qui ont collabor\u00e9 avec lui. <span class=\"ind\">Robert<\/span> nous propose ici quatre disques compl\u00e8tement diff\u00e9rents, lesquels, r\u00e9unis, esquissent l\u2019arbre sonore qui pousse dans son oreille<\/p>\n<p>Voir <a href=\"http:\/\/www.actuellecd.com\/fr\/cat\/am_903\/\" target=\"_blank\">http:\/\/www.actuellecd.com\/fr\/cat\/am_903\/<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;1248&#8243; alignment=&#8221;center&#8221; border_color=&#8221;grey&#8221; img_link_large=&#8221;&#8221; img_link_target=&#8221;_self&#8221; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;1249&#8243; alignment=&#8221;center&#8221; border_color=&#8221;grey&#8221; img_link_large=&#8221;&#8221; img_link_target=&#8221;_self&#8221; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;1250&#8243; alignment=&#8221;center&#8221; border_color=&#8221;grey&#8221; img_link_large=&#8221;&#8221; img_link_target=&#8221;_self&#8221; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;1251&#8243; alignment=&#8221;center&#8221; border_color=&#8221;grey&#8221; img_link_large=&#8221;&#8221; img_link_target=&#8221;_self&#8221; img_size=&#8221;full&#8221;][\/vc_column][\/vc_row][vc_row full_width=&#8221;&#8221;][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<em><span class=\"ind\">SoukSouk<\/span>, <span class=\"w\">6 Drawers 4 Spoons<\/span><\/em> avec <span class=\"ind\">\u00c9ric Gagnon<\/span> (AM 140): deux musiciens se rencontrent en studio, s\u2019interpellent et construisent des atmosph\u00e8res au fur et \u00e0 mesure que la complicit\u00e9 s\u2019installe. Ce disque est marqu\u00e9 de s\u00e9quences musicales tr\u00e8s distinctes. Les deux musiciens proposent un alliage num\u00e9rique et acoustique: ils jouent de douces m\u00e9lodies \u00e0 la guitare; cr\u00e9ent au niveau du montage et des effets; manipulent des voix et des \u00e9chantillons sonores urbains.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<em><span class=\"w\">Les scaphandres<\/span> <\/em>avec <span class=\"ind\">Laetitia Sonami<\/span> (AM 142): il s\u2019agit ici d\u2019un travail autour d\u2019un texte consid\u00e9r\u00e9 comme objet num\u00e9rique et non plus comme langage \u00e9crit. On nous livre ici une musique bruitiste bien dense, rigoureuse, aux pulsations sonores violentes.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<em><span class=\"w\">24 exercices de parallaxe<\/span><\/em> avec <span class=\"ind\">Louis Ouellet<\/span> (AM 143): exploration des r\u00e8gles de la composition musicale et confrontation de celle-ci \u00e0 la programmation informatique. Les artistes offrent une esth\u00e9tique classique avec de courtes pi\u00e8ces au piano. Les deux artistes ont programm\u00e9 le logiciel pour le piano Disklavier.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<em><span class=\"w\">Slow Sparks from the Split-Voiced Buddha<\/span><\/em> (AM 141): solo \u00e0 partir de sons ambiants que l\u2019artiste a lui-m\u00eame enregistr\u00e9s \u00e0 Lhassa, au Tibet. Cette pi\u00e8ce \u00e9lectroacoustique de 40 minutes entrelacent de longues notes soutenues.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;387&#8243; alignment=&#8221;center&#8221; border_color=&#8221;grey&#8221; img_link_large=&#8221;&#8221; img_link_target=&#8221;_blank&#8221; img_size=&#8221;full&#8221; link=&#8221;http:\/\/www.actuellecd.com\/fr\/cat\/am_903\/&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]Pandore, la premi\u00e8re publication de l\u2019artiste sur \u00e9tiquette Ambiances Magn\u00e9tiques, rev\u00eat une importance tout \u00e0 fait particuli\u00e8re: ce coffret refl\u00e8te justement la diversit\u00e9 de son univers sonore. Il t\u00e9moigne donc \u00e0 la fois du travail solo de Jocelyn Robert et de l\u2019apport consid\u00e9rable des artistes qui &#8230; <a title=\"Pandore\" class=\"read-more\" href=\"http:\/\/jocelynrobert.com\/?page_id=1245\" aria-label=\"More on Pandore\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":43,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/jocelynrobert.com\/index.php?rest_route=\/wp\/v2\/pages\/1245"}],"collection":[{"href":"http:\/\/jocelynrobert.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/jocelynrobert.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/jocelynrobert.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/jocelynrobert.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1245"}],"version-history":[{"count":3,"href":"http:\/\/jocelynrobert.com\/index.php?rest_route=\/wp\/v2\/pages\/1245\/revisions"}],"predecessor-version":[{"id":1253,"href":"http:\/\/jocelynrobert.com\/index.php?rest_route=\/wp\/v2\/pages\/1245\/revisions\/1253"}],"up":[{"embeddable":true,"href":"http:\/\/jocelynrobert.com\/index.php?rest_route=\/wp\/v2\/pages\/43"}],"wp:attachment":[{"href":"http:\/\/jocelynrobert.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}