{"id":45,"date":"2015-03-26T15:15:55","date_gmt":"2015-03-26T15:15:55","guid":{"rendered":"http:\/\/jocelynrobert.com\/?page_id=45"},"modified":"2025-12-27T21:15:28","modified_gmt":"2025-12-27T21:15:28","slug":"ecrits-writings","status":"publish","type":"page","link":"https:\/\/jocelynrobert.com\/?page_id=45","title":{"rendered":"\u00c9crits \/ Writings"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]Quelques textes s\u00e9lectionn\u00e9s<\/p>\n

A few selected texts.[\/vc_column_text][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]2025<\/p>\n

L’Encyclopedie du S singulier<\/a>, Presses de L’Universit\u00e9 Laval, Qu\u00e9bec (Qc)<\/p>\n

2017<\/p>\n

La danse des variables,<\/a> \u00c9ditions Squint, Montr\u00e9al\/Toronto (Qc\/Ont)<\/p>\n

2015<\/p>\n

Le Bruit des po\u00e8tes,<\/a> Nouveaux Medias, m\u00e9thodes et pratiques, Avatar, Qu\u00e9bec (Qc)<\/p>\n

2014<\/p>\n

Du forum \u00e0 l’agora<\/a>, in Inter #116, Qu\u00e9bec, (Qc)<\/p>\n

2013<\/p>\n

La jeune fille et la grammaire<\/a>, in Extase, La vie et autres pratiques extatiques, p.79, Folie\/Culture, Qu\u00e9bec, (Qc)<\/p>\n

2011<\/p>\n

Spectre sonore et th\u00e9ologie scientifique<\/a> \/ Sound Spectrum and Scientific Theology<\/a>, in La d\u00e9rive de l\u2019instant \/ Catherine B\u00e9chard & Sabin Hudon, Oboro, Montr\u00e9al, (Qc)<\/p>\n

Art et interaction<\/a>, Karine Dezainde et Jocelyn Robert, in Inter #109, Qu\u00e9bec, (Qc)<\/p>\n

2010<\/p>\n

Programme, proth\u00e8ses et autres prolongements<\/a>, in Esse #69, Montr\u00e9al, (Qc)<\/p>\n

2007<\/p>\n

L’Arb\u00eetre de Citaux,<\/a> Rhino \/ Livraison 34, Strasbourg, France<\/p>\n

Les \u00c9quid\u00e9s<\/a>, Hypercourt #6 (web) (France)<\/p>\n

2006<\/p>\n

La Lumi\u00e8re immobile<\/a>, Dazibao, Montr\u00e9al, Qu\u00e9bec<\/p>\n

Tissu social et artisanat<\/a>, R\u00e9pertoire des centres d’artistes autog\u00e9r\u00e9s du Qu\u00e9bec, 6\u00e8me \u00e9dition, RCAAQ, Montr\u00e9al (QC)<\/p>\n

Metamedia : l’oeuvre-outil et l’art dispers\u00e9<\/a>, Symposium Locus Sonus, Aix-en-Provence (France)<\/p>\n

Le Chantier,<\/a> Bulletin de la Chambre Blanche #29, Qu\u00e9bec (Qc)<\/p>\n

2005<\/p>\n

In Memoriam Joseph Grand<\/a>, \u00c9ditions Le Quartanier, Montr\u00e9al (QC)<\/p>\n

2003<\/p>\n

De la traduction \u00e0 la translation<\/a>, Piano \u00e0 Num\u00e9ros, OHM \u00e9ditions, Qu\u00e9bec (QC)<\/p>\n

2002<\/p>\n

COOL<\/a>, NIME-02 proceedings, Dublin, (Ireland)<\/p>\n

1999<\/p>\n

La Grammaire du cirque mou<\/a>, Eureka, Axe Neo-7, Gatineau, (QC)<\/p>\n

1995<\/p>\n

Of the Importance of the Movement of the Stars in Interior Architecture<\/a>, Real Art Ways, Hartford (US)<\/p>\n

Art Against Temperance<\/a>, Semiotext(e), New York (US)<\/p>\n

1993<\/p>\n

Les ruses observatoires de Ron Kuivila<\/a>, Inter #57, Qu\u00e9bec (QC)<\/p>\n

Le Corps Amplifi\u00e9<\/a>, Obscure, Qu\u00e9bec (QC)[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text]Quelques textes s\u00e9lectionn\u00e9s A few selected texts.[\/vc_column_text][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]2025 L’Encyclopedie du S singulier, Presses de L’Universit\u00e9 Laval, Qu\u00e9bec (Qc) 2017 La danse des variables, \u00c9ditions Squint, Montr\u00e9al\/Toronto (Qc\/Ont) 2015 Le Bruit des po\u00e8tes, Nouveaux Medias, m\u00e9thodes et pratiques, Avatar, Qu\u00e9bec (Qc) 2014 Du forum \u00e0 l’agora, in Inter #116, Qu\u00e9bec, (Qc) 2013 La jeune fille et la … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/jocelynrobert.com\/index.php?rest_route=\/wp\/v2\/pages\/45"}],"collection":[{"href":"https:\/\/jocelynrobert.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jocelynrobert.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jocelynrobert.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jocelynrobert.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=45"}],"version-history":[{"count":17,"href":"https:\/\/jocelynrobert.com\/index.php?rest_route=\/wp\/v2\/pages\/45\/revisions"}],"predecessor-version":[{"id":1901,"href":"https:\/\/jocelynrobert.com\/index.php?rest_route=\/wp\/v2\/pages\/45\/revisions\/1901"}],"wp:attachment":[{"href":"https:\/\/jocelynrobert.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=45"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}